Saturday, October 13, 2007

Intellectual and animal rights

Intellectual property and animal rights

In view of the recent IPR debates, we note the post on the Gosford Times blog about American artist Rachel Berwick who taught parrots a lost language, and wonder if a breach of copyright is possible when the means of reproduction is a living organism.




On a lighter note, take elephants. (with a glass of water)

Information received about an exhibition (cancelled).

"Agency presents quasi-things. Quasi-things fall just inside or outside a category, they move from one category to another or they don't belong to any category at all... In short, things that witness hesitation in terms of classification.

On the occasion of the exhibition series "Faire un effort" of NICC at the Centre for Fine Arts Brussels, agency presents quasi-things that are related to conflicts concerning authorship. Some of these conflicts lead to a lawsuit. As opposed to visitors of an art centre, who usually approach things in a subjective way, a judge is expected to make an objective judgement. For the purpose of evaluating copyright, a judge employs the division between categories such as nature and culture, evolution and creation, object and subject, collective versus individual... Many things are difficult to classify as such.

Take for example Specimen 770. This quasi-thing is part of the German TV film “Zwischen Zirkuskuppel und Manege” that was broadcasted by WRD in 1964 (see picture above). The point of conflict is the copyright of a dance of a circus elephant. The judge has to decide whether the film abused the copyright of this dance. The resulting discussion during the lawsuit questions whether the taming of an elephant can be protected by copyright of dance."
[Information from e-flux]


Elephants in Gosford, 12th October. Left front foot held in raised position while peeing © Nelli.

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